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“Well. We’ll just have to shake them off.” “How old are you now, Bob? Seventeen, isn’t it? Yes, yes, of course. And in a week or two you will have finished with Crossways for good?” Julia passed the remainder of the day in her closet with Emilia. Night returned, but brought her no peace. She sat long after the departure of Emilia; and to beguile recollection, she selected a favorite author, endeavouring to revive those sensations his page had once excited. She opened to a passage, the tender sorrow of which was applicable to her own situation, and her tears flowed wean. Her grief was soon suspended by apprehension. Hitherto a deadly silence had reigned through the castle, interrupted only by the wind, whose low sound crept at intervals through the galleries. She now thought she heard a footstep near her door, but presently all was still, for she believed she had been deceived by the wind. The succeeding moment, however, convinced her of her error, for she distinguished the low whisperings of some persons in the gallery. Her spirits, already weakened by sorrow, deserted her: she was seized with an universal terror, and presently afterwards a low voice called her from without, and the door was opened by Ferdinand..

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As soon as the Queen was well enough to begin work, the fairy told her she could build herself a hut, as she was going to remain with her for the rest of her life. On hearing this, the Queen could no longer restrain her tears: "Alas, what have I done to you," she cried, "that you should keep me here? If my death, which I feel is near, would give you pleasure, I pray you, kill me, it is all the kindness I dare hope from you; but do not condemn me to pass a long and melancholy life apart from my husband." Emilia, the elder, inherited much of her mother's disposition. She had a mild and sweet temper, united with a clear and comprehensive mind. Her younger sister, Julia, was of a more lively cast. An extreme sensibility subjected her to frequent uneasiness; her temper was warm, but generous; she was quickly irritated, and quickly appeased; and to a reproof, however gentle, she would often weep, but was never sullen. Her imagination was ardent, and her mind early exhibited symptoms of genius. It was the particular care of Madame de Menon to counteract those traits in the disposition of her young pupils, which appeared inimical to their future happiness; and for this task she had abilities which entitled her to hope for success. A series of early misfortunes had entendered her heart, without weakening the powers of her understanding. In retirement she had acquired tranquillity, and had almost lost the consciousness of those sorrows which yet threw a soft and not unpleasing shade over her character. She loved her young charge with maternal fondness, and their gradual improvement and respectful tenderness repaid all her anxiety. Madame excelled in music and drawing. She had often forgot her sorrows in these amusements, when her mind was too much occupied to derive consolation from books, and she was assiduous to impart to Emilia and Julia a power so valuable as that of beguiling the sense of affliction. Emilia's taste led her to drawing, and she soon made rapid advances in that art. Julia was uncommonly susceptible of the charms of harmony. She had feelings which trembled in unison to all its various and enchanting powers. Bob’s first feeling was of his own littleness, his unimportance in the face of such magnitude. But this went away as the sun, dropping steadily to the opposite horizon, began to paint the scenes with magic colors. “But the umbrella,” said Johnny..